Sister Souljah, Part II- Did We Get It?
Winter
In the first few pages of The Coldest Winter Ever, Winter Santiaga, the main character, makes a disparaging remark about the Sister Souljah character. That, right there is a direct clue into Winter’s attitude and personality. Nevertheless, most readers loved Winter, the fly, rich bitch, living in a mansion, designer wearing girl with the cool guys. Many wished they could be Winter and many tried to be. But did we really get what Winter represented? Sister Souljah was solid, an activist and unpretentious, and uncelebrated while Winter was glamorized and romanticized. The first few chapters made Winter’s life look as if it were all that, but as the real Sister Souljah pointed out last Saturday, the remaining part of TCWE was the story of a dismantling of a drug empire, a fall from grace. Winter ended up in jail, disfigured and her family destroyed. But did we get it?
A young woman in the audience at the book signing said she read TCWE in high school and unlike her friends who loved the book, she did not like it. When she asked them why they liked it, they could not tell her, they just liked it. This young woman was unimpressed with Winter’s antics. Sister Souljah replied that 100 people can hear a message and maybe 20 will get it right away, and maybe another 20 will get it some years later, but everyone is not going to get it.
A lot of folks did not get it. In the ensuing years, we saw a resurgence of The Coldest Winter copy cats; imitations that just did not measure up with Winter-like characters, bling blinging and living large. A new genre was reborn that had not been in vogue since Donald Goines and Iceberg Slim in the 1970s. Street lit, urban lit was on and poppin’.
Winter
In the first few pages of The Coldest Winter Ever, Winter Santiaga, the main character, makes a disparaging remark about the Sister Souljah character. That, right there is a direct clue into Winter’s attitude and personality. Nevertheless, most readers loved Winter, the fly, rich bitch, living in a mansion, designer wearing girl with the cool guys. Many wished they could be Winter and many tried to be. But did we really get what Winter represented? Sister Souljah was solid, an activist and unpretentious, and uncelebrated while Winter was glamorized and romanticized. The first few chapters made Winter’s life look as if it were all that, but as the real Sister Souljah pointed out last Saturday, the remaining part of TCWE was the story of a dismantling of a drug empire, a fall from grace. Winter ended up in jail, disfigured and her family destroyed. But did we get it?
A young woman in the audience at the book signing said she read TCWE in high school and unlike her friends who loved the book, she did not like it. When she asked them why they liked it, they could not tell her, they just liked it. This young woman was unimpressed with Winter’s antics. Sister Souljah replied that 100 people can hear a message and maybe 20 will get it right away, and maybe another 20 will get it some years later, but everyone is not going to get it.
A lot of folks did not get it. In the ensuing years, we saw a resurgence of The Coldest Winter copy cats; imitations that just did not measure up with Winter-like characters, bling blinging and living large. A new genre was reborn that had not been in vogue since Donald Goines and Iceberg Slim in the 1970s. Street lit, urban lit was on and poppin’.
Midnight
In Midnight: A Gangster Love Story, the life of the character, Midnight is chronicled from age seven to fourteen years old. The story is told in the first person point of view of a young Muslim boy who becomes a man. He arrives from the Sudan, a place where he had intimate knowledge of his father, his grand father and his great-grandfather, and comes face-to-face with American ghetto life in Brooklyn, New York up front and personal. He is precocious, mature, intelligent, and wise beyond his years. How is this possible? We wanted to know and this question was asked of Sister Souljah. She maintains that one of the biggest fears is fear of black intelligence, black genius. Interestingly, the fear is not always from the mainstream culture, but WE, black folks fear black intelligence. Sister Souljah said if she told us some of the things she did and said as a little girl, we would claim she was lying. She was an inquisitive child, wanting to know everything. As she puts it, she was annoying to the adults around her. Her mother took her to the library at age five to get her library card and there she began to explore the universe. I took it that Sister Souljah was a genius. Have we gotten it yet?
Exceptional intelligence and the culture in which Midnight was raised dictated that boys become men at an early age. Men that were about business and taking responsibility. At the age of seven, Midnight was given the charge by his father to come to America with his pregnant mother and take care of and protect his family. He took that seriously. Sister Souljah immersed herself in Sudanese culture and literature. The authenticity of Midnight’s character was formed by her research and her study of the Koran, the Holy Torah and the Holy Bible, three books that she contends, anyone who wants to know what is going on in the world, need to study.
In TCWE Midnight was the object of Winter’s affection, yet a fantasy. Winter was empty-headed and Midnight was a man driven by his faith of Islam. Midnight is a powerful coming-of-age love story years before Winter enters the picture. So who is the object of Midnight’s affection in this story?; a Japanese born girl named Akemi. A brother in the audience, a poet and community activist I see quite often at Marcus book signings asked Sister Souljah, why an Asian girl? Her reply was that people who asked that question either did not read the book or they read it and didn’t get it. With the theme of immigration, these are two young people, from foreign lands who found a commonality. She said that New York City is a place where all the cultures and races of the world live; Puerto Ricans, Dominicans, West Indians, Africans, Jewish, Asians, Middle Easterners, Eastern Europeans, and the list goes on. It is inevitable that the children of these immigrants will meet and come together at some point. When that happens, love can happen. As one of my APOOO sisters said, the world is getting smaller. Sister Souljah also noted that in TCWE, it was mentioned that he had studied the martial arts and had always been interested in Asian culture. That is evident in Midnight’s story also. Furthermore, Sister Souljah said she wants Midnight to reach out globally.
So, do we get it yet?
In Midnight: A Gangster Love Story, the life of the character, Midnight is chronicled from age seven to fourteen years old. The story is told in the first person point of view of a young Muslim boy who becomes a man. He arrives from the Sudan, a place where he had intimate knowledge of his father, his grand father and his great-grandfather, and comes face-to-face with American ghetto life in Brooklyn, New York up front and personal. He is precocious, mature, intelligent, and wise beyond his years. How is this possible? We wanted to know and this question was asked of Sister Souljah. She maintains that one of the biggest fears is fear of black intelligence, black genius. Interestingly, the fear is not always from the mainstream culture, but WE, black folks fear black intelligence. Sister Souljah said if she told us some of the things she did and said as a little girl, we would claim she was lying. She was an inquisitive child, wanting to know everything. As she puts it, she was annoying to the adults around her. Her mother took her to the library at age five to get her library card and there she began to explore the universe. I took it that Sister Souljah was a genius. Have we gotten it yet?
Exceptional intelligence and the culture in which Midnight was raised dictated that boys become men at an early age. Men that were about business and taking responsibility. At the age of seven, Midnight was given the charge by his father to come to America with his pregnant mother and take care of and protect his family. He took that seriously. Sister Souljah immersed herself in Sudanese culture and literature. The authenticity of Midnight’s character was formed by her research and her study of the Koran, the Holy Torah and the Holy Bible, three books that she contends, anyone who wants to know what is going on in the world, need to study.
In TCWE Midnight was the object of Winter’s affection, yet a fantasy. Winter was empty-headed and Midnight was a man driven by his faith of Islam. Midnight is a powerful coming-of-age love story years before Winter enters the picture. So who is the object of Midnight’s affection in this story?; a Japanese born girl named Akemi. A brother in the audience, a poet and community activist I see quite often at Marcus book signings asked Sister Souljah, why an Asian girl? Her reply was that people who asked that question either did not read the book or they read it and didn’t get it. With the theme of immigration, these are two young people, from foreign lands who found a commonality. She said that New York City is a place where all the cultures and races of the world live; Puerto Ricans, Dominicans, West Indians, Africans, Jewish, Asians, Middle Easterners, Eastern Europeans, and the list goes on. It is inevitable that the children of these immigrants will meet and come together at some point. When that happens, love can happen. As one of my APOOO sisters said, the world is getting smaller. Sister Souljah also noted that in TCWE, it was mentioned that he had studied the martial arts and had always been interested in Asian culture. That is evident in Midnight’s story also. Furthermore, Sister Souljah said she wants Midnight to reach out globally.
So, do we get it yet?
